HIST 350, W St 350: Vancouver Fall, 2005
European Women's History, 1400-1800
Mondays
and Wednesdays, 10:35-11:50, VCLS 117
Prof.
Sue Peabody peabody@vancouver.wsu.edu
Office:
VMMC 202D
Mondays and Wednesdays, 1:00 - 2:00 and by appointment
Department
Number (inclement weather, closings, information, etc.): (360) 546-9441
The
WHETS Control Room: Classroom Bldg. 120; (360) 546-9033
WHETS
Lead Operator: Chris Rhoads, (360) 546-9709.
The early modern period, 1400 to
1800, has traditionally been portrayed as the time of "Renaissance,"
"Reformation" and "Enlightenment." Through a survey of women's family life
cycle, sexuality, work, spirituality, education and persecution this course
seeks to reexamine these categories to see how they apply (or do not apply) to
continuity and change in the lives of European women. We will explore the strengths and shortcomings of the theoretical
framework of "gender" which has influenced much of the recent
historiography on women.
This course will be accessible to both the Vancouver and the Pullman campuses via WHETS, the televised conferencing system that links many campuses in Washington state.
I have taught this class and others over WHETS before. While the WHETS format is admittedly not as ideal as regular face-to-face contact with your instructor and classmates, I will do my best to make this a positive experience for students on all campuses. I am always accessible by telephone and e-mail and may visit the Pullman campus once during the semester.
Please take the initiative to be in contact with me – do not worry about bothering me! You will find that by being active in your education, you will reap tremendous rewards.
Required Texts
(prices for new books are approximate)
Merry Wiesner, Women and Gender in Early Modern Europe. 2nd ed. Cambridge: Cambridge University Press, 2000.
(0521778220) $19.00
Judith C. Brown, Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. Oxford: Oxford University Press, 1986.
(0-19-504225-5) $13.95
The
Memoirs of Glückel of Hameln. New York: Schocken,
1987. (0-8052-0572-1) $15.00
Claire de Duras, Ourika. New York: Modern
Language Association, 1994. (0-87352-780-1) $7.95
University Readers Coursepack (Order immediately:
See p. 2, below)
Grades
10% Class
Participation (Attendance, discussions)
40% Think
Questions
25% Mid-Term
Exam
25% Final Exam
Reasonable Accommodations
are available for students who have a documented disability. Please notify the
instructor during the first week of class of any accommodations needed for the
course. Late notification may cause the requested accommodations to be
unavailable. All accommodations must be approved through Wayne Brown, in the
Student Services Office, (360) 546-9567.
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Writing Assignments
Think
Questions
Think Questions are short written
assignments (1-2 pp., typed) designed to get you thinking about an issue before
a class discussion. They are listed on
the syllabus. Be sure to do the associated reading assignment before you answer
the Think Question. PLEASE run a spell-check program before you submit your
Think Question. A Think Question is
marked down one full grade for every day that it is late.
Revisions
You may revise and resubmit a Think
Question. If the revised answer is an
improvement on the original, the higher grade will replace the lower one.
"Improvement" is based upon a deeper understanding of the issues, not
merely correcting typographical errors. All such revisions are due NO LATER
THAN the last day of classes.
Exams
Exams consist primarily of essay
questions based on readings, lectures, and discussions. They are graded on how well you integrate
all of these materials into a correct and clear essay.
Grades
Grades for writing assignments are
based on the following criteria:
A = An intelligent,
insightful, clear, and well organized essay that shows a sophisticated
awareness of historical argumentation (i.e., that history is a written
discussion with evidence offered to support a thesis).
B = Mostly correct, well
written, this essay is solid but does not sparkle with independent thinking or
analysis
C = This essay contains
some errors of fact or interpretation and/or numerous stylistical problems
D = This essay does not
show evidence of much effort or contains unforgivable errors
F = Usually reserved for
plagiarism or for papers that have been submitted several days late
Attendance
is required at all class meetings. If
you cannot attend a class due to illness or other personal emergency, you may
obtain an “Excused Absence” by notifying the instructor prior to the class
session. Leaving a message by voice
mail or sending an e-mail message is sufficient to obtain an Excused Absence.
Please note that whether or not an absence is excused, you are responsible for
learning what happened in class and mastering that material (e.g. obtaining
notes from a reliable classmate).
Tardiness
disturbs the teacher and your classmates. Furthermore, it can affect your work
in the class. I usually make important
announcements at the beginning of class (e.g. announce the location of exams, a
change in assignments). If you miss
these announcements, there is no guarantee that information will be repeated
later. On occasion, tardiness is
unavoidable. If you find yourself
arriving late to class, please take your seat with a minimum of commotion. Three late arrivals constitute an unexcused
absence. (Note: if your work
schedule necessitates regular late arrivals, please clear this with me in
advance).
Plagiarism
and Cheating
Plagiarism
and Cheating are serious offenses
that may be penalized severely. You are plagiarizing or cheating if you:
* present someone else’s words or ideas as
your own, in writing or in speaking
* present ideas without citing the source
* paraphrase without crediting the source
* use direct quotes with no quotation marks
* use direct quotes without footnotes or
other textual citation of the source
* present work in a group project that is not
your own or the work of the group
* submit the same paper for credit in more
than one course without discussing this option with the instructors
* submit material written by someone else as
your own (this includes purchasing a term or research paper)
* submit a paper or assignment for which you
have received so much help that it is no longer your own work
* do not do an equal part of the work on a
group project
* copy someone else’s exam or graded homework
* refer to a text, class notes, or other
materials during an exam without being authorized to do so
* purposefully allow another student to copy
your work or submit work you have written as his/her own
* collaborate with others on a take-home
exam, or spend more time than that specified by the instructor on a take-home
exam.
There
are several opportunities to earn Extra Credit this semester by attending
events outside the regular classroom hours.
I will distribute a list of suggested activities in class. If you come
up with any alternatives on either campus (these should be cultural or academic
events that bear on women’s history), PLEASE CHECK WITH ME FIRST to see whether
I will grant extra credit. (Email is best.)
Once
your event has been confirmed by me, to obtain extra credit, write a 2-page
Review of the event, describing it for someone who did not
attend (whether I was there or not!) and discussing how it relates to
themes in HIST/W St 350: European Women’s History, 1400-1800.
Value
of extra credit to be determined by the instructor at the end of the semester,
based on: 1) relevance of the activity to course aims; 2) quality of the
review; and 3) quantity of extra events.
Assignments
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8/22 |
Introduction: Gender/Sex |
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8/23 |
Wiesner, Women and Gender in Early Modern Europe,
Introduction, 1-7 and "Ideas and Laws Regarding Women," 9-38 |
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THE MATERIAL WORLD |
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8/29 |
The Female Life Cycle Wiesner, "The Female
Life Cycle," 41-81 |
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8/30 |
COURSEPACK: Christiane
Klapisch-Zuber, Women Family and Ritual in Renaissance Italy,
Foreward, vii-xi, and Chapters 6 and 7 (pp. 117-164) Think Question #1 Due: Read
the assignment above and CHOOSE ONE
of the following questions: *Who
is the "cruel mother" to whom Klapisch-Zuber refers in her title?
And what makes her so cruel? *Who
used wetnurses in Florence and why did this group change after 1450? |
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9/5 |
Labor Day: No Class
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9/7 |
Women and
Work: The Household Economy Wiesner,
"Women's Economic Role" in Women and Gender in Early Modern
Europe, 82-114 |
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STATE AND HISTORY |
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9/12 |
Historical Change: "Renaissance" COURSEPACK: Perry, Chase,
Jacob, Von Laue, Western Civilization:
Ideas, Politics and Society. Vol. 1: To 1789, 3rd ed. Boston:
Houghton Mifflin, 1989. pp. 259-281 COURSEPACK: McKay,
Hill, Buckler, A History of
Western Society. Vol. I: From Antiquity to the Enlightenment, Third
Edition. Boston: Houghton Mifflin, 1987, pp. 403-433 Be prepared to discuss
the following questions in class: 1) What aspects of the
Renaissance appear in both books? 2) How do the two
accounts differ? 3) How did the
Renaissance affect women? |
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9/14 |
COURSEPACK: Joan
Kelly-Gadol, "Did Women Have a Renaissance?" in Becoming Visible, 2nd edition
(Houghton Mifflin, 1987), 175-201 Think Question #2 Due: Joan
Kelly-Gadol's article asks the question, "Did Women Really Have a
Renaissance?" Based upon your
reading of Kelly-Gadol's article and of Western Civilization textbooks, what
do you think? |
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9/19 |
COURSEPACK: Sarah Hanley, "Family and
State in Early Modern France: The Marriage Pact," in Connecting
Spheres, 53-63 |
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9/21 |
COURSEPACK: Susan
Doran, "Elizabeth I" Historian
54 (1997): 10-13 on Elizabeth I |
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9/26 |
Mid-Term Review |
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9/28 |
Mid-Term Exam |
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SPIRIT AND POWER |
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10/3 |
Reformations Wiesner, "Religion," 179-217 |
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10/5 |
Judith Brown, Immodest Acts, 3-74 |
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10/5 (tentative) 12:00-1:15 MMC 204 |
EXTRA CREDIT: Vancouver and Pullman campusesLecture: Merry
Weisner-Hanks, “A Renaissance Woman Adrift in the World”
WSU History
Graduate Colloquium
Pullman:
Wilson 301 and Vancouver: MMC 204.
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10/10 |
Judith Brown, Immodest Acts, 75-142, 158-164 |
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10/12 |
Witchcraft Wiesner,
"Witchcraft," 218-238 COURSEPACK: Kramer,
Heinrich and James Sprenger. The
Malleus Maleficarum. Translated with Introductions, Bibliography and
Notes by Rev. Montague Summers. New York: Dover Publications, 1971. Pages
i-iv, 41-48. |
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10/17 |
COURSEPACK: Roper,
Lyndal. “Witchcraft and Fantasy in Early Modern Germany.” In Oedipus and
the Devil: Witchcraft, Sexuality and Religion in Early Modern Europe. New
York and London: Routledge, 1994. Pages 199-225. COURSEPACK: Warnicke, Retha M.
“Sexual Heresy.” In The Rise and Fall
of Anne Boleyn. New York and Cambridge: Cambridge University Press, 1989.
Pages 191-233, 294-306. COURSEPACK: Geis,
Gilbert and Ivan Bunn. “Appendix.” In A Trial of Witches: A
Seventeenth-Century Witchcraft Prosecution. New York and London:
Routledge, 1997. Pages 212-228. |
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10/19 |
Think
Question # 3 Due: Read all of the above reading assignments (see. p. 8) for class. Be
prepared to discuss them all. Then select
one of the following questions. Please write the title of the question
you select at the top of your paper. 1. The
Malleus Maleficarum Why
do the authors of Malleus Maleficarum (first
published in 1486) believe that women are especially susceptible to engaging
in witchcraft and “superstition”? What are the causes and/or effects of these
assertions? 2. Roper: “Witchcraft and Fantasy” According
to historian Lyndal Roper, why were lying-in maids in seventeenth-century
Augsburg particularly vulnerable to accusations of witchcraft? Do you find
her explanation persuasive? 3. Warnicke: “Sexual Heresy” According
to historian Retha Warnicke, why was Anne Boleyn accused of witchcraft? Do
you find her explanation persuasive? 4. A
Tryal of Witches Why
do you think the accusers of Amy Duny and Rose Cullender brought charges
against the women? -OR- What role, if any, did skepticism play in the
1664 “Tryal of Witches”? |
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10/24 |
Jewish
Women Wiesner, "Literacy and Learning," 117-145 Glückel, Memoirs of
Glückel of Hameln, vi-39 |
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10/26 |
Glückel, Memoirs of
Glückel of Hameln, 40-145 |
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10/31 |
Glückel, Memoirs of
Glückel of Hameln, 146-221 |
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11/2 |
Glückel, Memoirs of
Glückel of Hameln, 222-277 |
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“ENLIGHTENMENT”
AND THE MODERN WORLD |
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11/7 |
Wiesner, "Women and
the Creation of Culture," 146-175 |
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11/9 |
COURSEPACK: Rousseau,
Jean-Jacques. Politics and the
Arts: Letter to M. D'Alembert on the Theatre. Translated by Allan Bloom.
Ithaca: Cornell University Press, 1960. Pages 47-57, 75-92. |
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11/14 |
Think Question # 4
Due: Why does Jean-Jacques Rousseau object to
women's participation in theatre so much? Women
and the French Revolution |
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11/16 |
COURSEPACK: Declaration of the
Rights of Man and of Citizens COURSEPACK: Olympe de Gouges, The Rights
of Woman |
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11/21, 11/23 |
THANKSGIVING
BREAK
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11/28 |
Claire de Duras, Ourika, Introduction
and Foreword, vii-xxxiii |
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11/30 |
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12/5 |
Claire de Duras, Ourika, 1-47 |
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12/7 |
Final Exam Review |
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Wed. 12/14 3:10-6:10 pm |
Final Exam No outside sources (internet, books, etc.).
Use only materials from class. |