Interpreting Photographs

Does a particular photograph tell a story other than what is immediately visible to the viewer? Historians ask a number of questions in order to understand the deeper meaning of photographs. Images, they say, are versions of reality that photographers interpret for intended audiences. Photographers use images to convey messages to particular audiences. Photos reflect the perspective of photographers and must therefore be viewed with a critical eye. What images does a particular photo capture? What was the context of the time in which the photo was taken? What audience did the photographer have in mind and for what purpose? These are only a few examples of questions historians ask in interpreting the meaning of photographs. They are are historical documents, a valuable resource to help reconstruct the past. The Columbia River Basin Ethnic History Archive contains an extensive collection of photographs that document the experience of blacks in Idaho, Oregon, and Washington. Students, researchers, and others can use these photos to enhance their understanding of the history of African Americans in the Columbia River Basin. For ideas on how to evaluate these sources, click on the following link and return to the questions below to consider.

N.A.A.C.P honors Mayor Dorothy McCullough Lee, ca. 1950.

What do you learn about African Americans in Portland from the photograph “N.A.A.C.P. honors Mayor Dorothy McCullough Lee?”

Is there anything in the photograph that indicates what audience the photographer wanted to address? What message did the photographer want to convey to the intended audience?

What do the images reveal about the photographer’s perspective and the context of the time the photo was taken?

What do you learn about the roles of the N.A.A.C.P. and the people in the photo in the history of Portland?

Is there anything in the photo that indicates why the N.A.A.C.P. honored Mayor Lee?

Historians usually consult additional sources in order to interpret the meaning of photographs. Are there questions that were not answered in your evaluation of the image? If so, what other sources in the Columbia River Basin Ethnic History Archive can you consult to answer these questions satisfactorily?

Related Links:
Portland N.A.A.C.P. staff meeting in the early fifties
Reception for Julian Bond at Portland University, 1969
African American Commemorative Quilt, 1976



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